To put it simply, how do past moments exist in the present time and can we build a means to connect others to this moment from the past.
The memorials to the victims of WW1 with their often solitary military figures, dying, or in sorrow, metal hat tilted and shielding those lost stares into the inner landscapes of pain and horror. Often it was the heavy folds in their battle dress and labored bandage around the calfs which fascinated me as a child and still does to a degree even now. They seemed to alone express the significance of a moment, they transported me and the presented form beyond the stone or metal in which they were made, transporting all to a shared melancholic space.
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| first project book page for 'Library of Memory' |
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| Early consideration for how the work by the children could be incorporated into an installation. Consideration must be made for the time and economic limits of such a project. |
I'm keen to explore not only through the visual arts this question of the language of memorial. The medium of words both specific and emotional, abstract or exact, factual and poetic. Words would seem an exciting form both as text and speech to work with. It would be great to have the chance to work with perhaps poets or writers in parallel on such a theme but money and time are not endless. As we say, something for another day.





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